2013 Convention. Sharing the stage with C.W. Mundy in front of a packed house.
Lots of painters have had the great experience of attending at least one of the previous Plein air Conventions. By lots, I mean somewhere between 1200-1500 of us over the course of the past two years. Luckily, I have attended both and will be going again this year.
Because I get many emails asking for my opinion about the Convention, I decided to post answers to some FAQs here. Remember that these are just my opinions. (Insert disclaimer here about facts are believed to be true, hold harmless, etc., etc.) Always check the actual web site for changes and updates to policies and offerings at www.pleinairconvention.com, or contact the event organizers here http://www.pleinairconvention.com/Contact/11068717.
Is it really worth the money? Absolutely! If there is any way you can spring for even one event this year, make it this one. I guarantee you will come home with new information and inspiration that will last for the rest of your life.
Are there hidden fees of which I am not aware? Nope. You pay. You're in. Go to any of the tracks available (Marketing Boot Camp, Water media, Pastel, Oil, Main Stage, whatever). There are 5 stages this year and you can plan your day how you want to spend it.
NOTE: The day prior to the event, there is a separate BASICS course which is not included. But other than that... no extra costs to attend.
What other costs will I need to consider? Your hotel, your food, ground transportation, any purchases you make from the vendors, anything outside the convention.. just normal stuff. But wait... there's good news about your additional costs. You'll have continental breakfast every morning (so there's that savings) AND, many of the vendors offer deep discounts for purchases made or orders placed during the Convention. So these supplies that you will be needing to purchase throughout the year anyway will cost you less in the long run. Ta da! That will at the very least cover the cost of your food. As for the hotel, if you can, (and there is still room), stay at the Convention hotel. They are providing a discounted rate of $169/night. If the hotel cost is the only thing keeping you from coming to the convention, there are less expensive options near by if you search online. Which brings me to this, you will need ground transportation to painting sites this year. In years past they have provided buses, but many of the places we will be painting don't allow them this year, so find a friend and wad up in a car with them. That's what I'm doing.
Why don't they ever have it in the East? Who knows when or if that will happen. I certainly don't. But what I can say is this, they want to hear your ideas. Every year the convention will be improved upon and changed. So if you have just the perfect spot that has 1. the infrastructure and conference center to handle a convention this size; with 2. amazing painting locations within a very short drive; and 3. offers something so enticing that 700+ people will flock there (maybe outstanding galleries, bucket-list location, etc); then send them a note about it. Better yet, get 700 people to send them a note about it! Eric Rhoads email@example.com.
Can I see the main-stage demos in a crowd that size? Yes. There are large screens to assist with viewing from anywhere in the room.
Do I get to paint too? Yes. This year's locations are going to be amazing-- even Point Lobos is included. Bring your gear! Or, if you had rather, bring your camera and lots of questions and feel free to walk around and watch the more than 60 pros teaching and doing demos in the field. Either way, make it what you want to make it. It's your event!
What if I don't like crowds? It seems that an event with this many people would be overwhelming. This is the most intimate feeling, large gathering of like-minded folks you will ever find. Whether you are the life of the party or enjoy your alone time, you can feel comfortable at the Convention. The event is casual and you can come and go as you please.
Will I have a chance to network? Sure. I do not go with that in mind, but it happens. Last year I made a great new connection with a gallery that has more than paid for the cost of the event in sales!
I don't paint en plein air, would I still get something out of this? Yep. Figure painters, still life painters, gallery owners, collectors, event organizers, and vendors all attend.
Do I need to be a party-person to enjoy myself? One of my favorite things to do is to reconnect with old friends and to make new ones. One of my OTHER favorite things to do is be in my p.j.s and asleep by 10:00 p.m. There are a couple of local "hang-outs" that are frequented every evening by groups of artists. Go if you want; don't if you don't. It's not a big deal either way.
Why do YOU go every year? To grow; to paint; to hear new things; to watch new painters; to see new products. I hope I can continue to go every year.
Are there any ways to save a little money when I register?
- Register before Jan. 31 to use a 3-payment plan. (Not available if you use a savings code below.)
- Register before Valentines Day to take advantage of the early-bird price savings of $200.
- Use a savings code such as PACLP to save $100 off registration any time.
How do I register? Go to www.pleinairconvention.com and click on the REGISTER button at the top of the page, or click here http://www.eventbee.com/v/3pleinairconvention2014/t/PACE-TOP.
What do YOU get out of promoting the Convention? Zip. Zilch. Nothing. This is an honest opinion of something that I enjoy and think you will too.
Well, that's about it. I'm sure you have other questions. I am certainly not an expert on everything that goes on or how it all works. This is just how I view this opportunity. I hope you have found this helpful, and that I will see you there.
Still have questions? Ask the experts at
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